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http://acervodigital.unesp.br/handle/11449/134464
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DC Field | Value | Language |
---|---|---|
dc.contributor.author | Hellmeister, Luiz Antonio Vasques | - |
dc.contributor.author | Hellmeister, Victor | - |
dc.date.accessioned | 2016-03-02T12:56:50Z | - |
dc.date.accessioned | 2016-10-25T21:30:27Z | - |
dc.date.available | 2016-03-02T12:56:50Z | - |
dc.date.available | 2016-10-25T21:30:27Z | - |
dc.date.issued | 2010 | - |
dc.identifier | http://proceedings.copec.org.br/index.php/wcca/article/view/1003 | - |
dc.identifier.citation | Proceedings of World Congress on Communication and Arts: Information Technology in Arts and Information Visualization, v. 3, p. 300-304, 2010. | - |
dc.identifier.issn | 2317-1707 | - |
dc.identifier.uri | http://hdl.handle.net/11449/134464 | - |
dc.identifier.uri | http://acervodigital.unesp.br/handle/11449/134464 | - |
dc.description.abstract | This study aimed to examine the reverse engineering and respond to a concern about the possible application of this concept in art, breaking down barriers and breaking paradigms. Using 3D scanning, the art of computer aided design and manufacturing – CAD/CAM, machining by computer numerical control - CNC, engineering, and applying this methodology in the arts especially in sculpture, it is possible to dematerialize a artwork, virtualizes it in 3D programs, make speeches, and process a new work, a new art elsewhere. By the example of surgeries at a distance, the artist, or technical author could produce their works, and materialize them anywhere. In other words, do the reverse gear. It discusses the relationship between art and technology, the role of the author, the viewer, which can interfere with the interactivity that case by stating that art, exists only in the look and feel of the viewer. | en |
dc.format.extent | 300-304 | - |
dc.language.iso | por | - |
dc.source | Currículo Lattes | - |
dc.subject | CAD | en |
dc.subject | CAM | en |
dc.subject | CNC | en |
dc.subject | Sculpture | en |
dc.subject | Reverse art | en |
dc.title | Arte reversa: aplicando a engenharia reversa na arte | pt |
dc.type | outro | - |
dc.contributor.institution | Universidade Estadual Paulista (UNESP) | - |
dc.description.affiliation | Universidade Estadual Paulista Júlio de Mesquita Filho (UNESP), Faculdade de Arquitetura Artes e Comunicação (FAAC), Departamento de Artes e Representação Gráfica, Bauru, SP, Brasil | - |
dc.description.affiliation | Universidade Estadual Paulista Júlio de Mesquita Filho (UNESP), Faculdade de Engenharia de Bauru (FEB), Departamento de Engenharia de Produção, Bauru, SP, Brasil | - |
dc.description.affiliationUnesp | Universidade Estadual Paulista Júlio de Mesquita Filho (UNESP), Faculdade de Arquitetura Artes e Comunicação (FAAC), Departamento de Artes e Representação Gráfica, Bauru, SP, Brasil | - |
dc.description.affiliationUnesp | Universidade Estadual Paulista Júlio de Mesquita Filho (UNESP), Faculdade de Engenharia de Bauru (FEB), Departamento de Engenharia de Produção, Bauru, SP, Brasil | - |
dc.rights.accessRights | Acesso aberto | - |
dc.identifier.file | ISSN2317-1707-2010-03-300-304.pdf | - |
dc.relation.ispartof | Proceedings of World Congress on Communication and Arts: Information Technology in Arts and Information Visualization | - |
dc.identifier.lattes | 3618067810719564 | - |
dc.identifier.lattes | 1344590590157379 | - |
Appears in Collections: | Artigos, TCCs, Teses e Dissertações da Unesp |
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