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Please use this identifier to cite or link to this item: http://acervodigital.unesp.br/handle/11449/134464
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dc.contributor.authorHellmeister, Luiz Antonio Vasques-
dc.contributor.authorHellmeister, Victor-
dc.date.accessioned2016-03-02T12:56:50Z-
dc.date.accessioned2016-10-25T21:30:27Z-
dc.date.available2016-03-02T12:56:50Z-
dc.date.available2016-10-25T21:30:27Z-
dc.date.issued2010-
dc.identifierhttp://proceedings.copec.org.br/index.php/wcca/article/view/1003-
dc.identifier.citationProceedings of World Congress on Communication and Arts: Information Technology in Arts and Information Visualization, v. 3, p. 300-304, 2010.-
dc.identifier.issn2317-1707-
dc.identifier.urihttp://hdl.handle.net/11449/134464-
dc.identifier.urihttp://acervodigital.unesp.br/handle/11449/134464-
dc.description.abstractThis study aimed to examine the reverse engineering and respond to a concern about the possible application of this concept in art, breaking down barriers and breaking paradigms. Using 3D scanning, the art of computer aided design and manufacturing – CAD/CAM, machining by computer numerical control - CNC, engineering, and applying this methodology in the arts especially in sculpture, it is possible to dematerialize a artwork, virtualizes it in 3D programs, make speeches, and process a new work, a new art elsewhere. By the example of surgeries at a distance, the artist, or technical author could produce their works, and materialize them anywhere. In other words, do the reverse gear. It discusses the relationship between art and technology, the role of the author, the viewer, which can interfere with the interactivity that case by stating that art, exists only in the look and feel of the viewer.en
dc.format.extent300-304-
dc.language.isopor-
dc.sourceCurrículo Lattes-
dc.subjectCADen
dc.subjectCAMen
dc.subjectCNCen
dc.subjectSculptureen
dc.subjectReverse arten
dc.titleArte reversa: aplicando a engenharia reversa na artept
dc.typeoutro-
dc.contributor.institutionUniversidade Estadual Paulista (UNESP)-
dc.description.affiliationUniversidade Estadual Paulista Júlio de Mesquita Filho (UNESP), Faculdade de Arquitetura Artes e Comunicação (FAAC), Departamento de Artes e Representação Gráfica, Bauru, SP, Brasil-
dc.description.affiliationUniversidade Estadual Paulista Júlio de Mesquita Filho (UNESP), Faculdade de Engenharia de Bauru (FEB), Departamento de Engenharia de Produção, Bauru, SP, Brasil-
dc.description.affiliationUnespUniversidade Estadual Paulista Júlio de Mesquita Filho (UNESP), Faculdade de Arquitetura Artes e Comunicação (FAAC), Departamento de Artes e Representação Gráfica, Bauru, SP, Brasil-
dc.description.affiliationUnespUniversidade Estadual Paulista Júlio de Mesquita Filho (UNESP), Faculdade de Engenharia de Bauru (FEB), Departamento de Engenharia de Produção, Bauru, SP, Brasil-
dc.rights.accessRightsAcesso aberto-
dc.identifier.fileISSN2317-1707-2010-03-300-304.pdf-
dc.relation.ispartofProceedings of World Congress on Communication and Arts: Information Technology in Arts and Information Visualization-
dc.identifier.lattes3618067810719564-
dc.identifier.lattes1344590590157379-
Appears in Collections:Artigos, TCCs, Teses e Dissertações da Unesp

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