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Please use this identifier to cite or link to this item: http://acervodigital.unesp.br/handle/11449/72928
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dc.contributor.authorRancan de Azevedo Marques, Ubirajara-
dc.date.accessioned2014-05-27T11:26:16Z-
dc.date.accessioned2016-10-25T18:36:01Z-
dc.date.available2014-05-27T11:26:16Z-
dc.date.available2016-10-25T18:36:01Z-
dc.date.issued2011-12-01-
dc.identifierhttp://dx.doi.org/10.5209/rev_RESF.2011.v36.n2.38405-
dc.identifier.citationRevista de Filosofia, v. 36, n. 2, p. 25-42, 2011.-
dc.identifier.issn0034-8244-
dc.identifier.urihttp://hdl.handle.net/11449/72928-
dc.identifier.urihttp://acervodigital.unesp.br/handle/11449/72928-
dc.description.abstractBesides a philosophical glossary, Kant handles many other linguistic repertoires; among them, for instance, the musical ones. The present study, by considering the kantian musical lexicon, is not intended to promote the music in the realm of critical philosophy from a aesthetic point of view, but to recognize and to examine in a preliminary manner an argumentative resource used by the philosopher, namely, the musical analogy.en
dc.format.extent25-42-
dc.language.isopor-
dc.sourceScopus-
dc.subjectAnalogy-
dc.subjectHarmony-
dc.subjectKant-
dc.subjectMelody-
dc.subjectMusic-
dc.titleKant e as analogias musicaispt
dc.title.alternativeKant and the musical analogiesen
dc.typeoutro-
dc.contributor.institutionUniversidade Estadual Paulista (UNESP)-
dc.description.affiliationDepartamento de Filosofia Faculdade de Filosofia e Ciências Universidade Estadual Paulista Júlio de Mesquita Filho-
dc.description.affiliationUnespDepartamento de Filosofia Faculdade de Filosofia e Ciências Universidade Estadual Paulista Júlio de Mesquita Filho-
dc.identifier.doi10.5209/rev_RESF.2011.v36.n2.38405-
dc.rights.accessRightsAcesso aberto-
dc.identifier.file2-s2.0-84861476387.pdf-
dc.relation.ispartofRevista de Filosofia-
dc.identifier.scopus2-s2.0-84861476387-
Appears in Collections:Artigos, TCCs, Teses e Dissertações da Unesp

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